The ice – cornered – clings,
The sun above seeks it out.
The earth returns.
_____
The ice – cornered – clings,
The sun above seeks it out.
The earth returns.
_____
Past – present – future.
The clock chimes today and I hear it in Dublin in 1999,
As it sounds in a dozen other places.
I hear it on the Broad Walk in Regent’s Park,
Days before New Year’s, and in early December.
Looking onto Dublin Bay, it sounds over the wind
As I run on the sands, and as I stand to face a furious winter storm.
“Am I alive in all these places, at all these times, at once?”
I asked myself, on the day I finished “Mrs Dalloway’.
“Traces suspended, like fog in trees.
Echoes and marks on places and people?”
Maybe we do survive death, and linger on, awhile.
Until our echoes dissolve in the air.
_____
Salt-washed and swept
By huge winter westerlies,
The two islands sit
On the southern horizon.
They were a limit of the world
When I was a child.
Out of reach, almost out of sight,
To a boy standing on a December pier.
Open, uninhabited, they were all potential,
All light and movement.
Until another thought surfaces,
In the deepening afternoon light.
I wonder did they – unreachable – cross the mind of my great-grandfather,
As he drowned six miles west of here, in a blind fog, a century ago?
—–
I wish that when I wake, at 4 a.m., it is to soundless dark, like Philip Larkin did.
But instead it’s snippets of songs, or random thoughts, that flit around my head.
Silence is never an issue, like this noise can be.
Leaving me to envy those who slumber peacefully.
—–
A soft lilac sky spreads above a calmed, welcoming ocean,
That accepts a dead soldier – nature looking after one of her own.
It reminds me of a funeral I attended as a child,
The yellow sunlight bathing the altar and casket, blessing the final going.
And tells me an impossible truth, that the world can sometimes stop,
And breathe, and briefly mark, a spirit flown.
_____
Actual books.
Burn the Kindle.
Trash it, recycle it, get rid of it. In recent months, slowly and silently and after long afternoons spend in Portland bookstores (often, but not exclusively, the labyrinthine Powell’s) this is the conclusion I’ve arrived at.
My Kindle, gifted to me by my wife some years back, is likely outmoded at this point. But it’s crammed full of books – titles I bought and read during in a golden year or two when I believed that e-readers – with their convenience, their ability to store notes, the searchability of text they offered – were the future.
They were not. As time passed I increasingly found myself reverted to type (so to speak), buying and reading physical books (very often used copies, which I’d pick up after hours trawling the shelves). Not only that, but I’ve also found myself buying second copies (hardback, paperback with a different cover or a nicer typeset) of books that I already own.
My plan, vague at present but soon to be locked down (I promise myself) is that the shelves in our home will eventually boast a perfectly-curated browsing experience; visitors will come and marvel at the smooth thematic transitions, the pristine Collected Yeats, the Michael Chabon with the Marvel-esque cover. And this is no books-as-interior-design-feature plan: I’ll only shelve what I’ve read.
My wife, sensibly, points out that this grand scheme may require, at most, a structural refit of our home and, at least, a serious purge of the piles of my existing titles. So be it – but what will remain will be distilled, pristine, our own Library of Babel.
Which reminds me, I need to upgrade my battered Borges…
_____
Seamus Heaney
Seamus Heaney died five years ago, on August 30, 2013. I remember hearing about his passing as I drove from Dublin to the small nursing home in Co. Wexford where my mother lay grievously ill. She passed away five weeks later.
At the time the two events didn’t seem connected. Then, a month after my mother’s death, I bought a copy of Heaney’s “Selected Poems”. In it, I came across “Clearances”, a set of sonnets the poet wrote following the death of his own mother.
One – sonnet 8 – stood out, and came to be an evocation of my own mother, an elegant summation of grief, and a confirmation, a reassurance. (I now think of Patrick Kavanagh’s lines, “others have been here and know, griefs we thought our special own”.)
It needs little exposition, or none, in fact. It should simply be read, as I now do on occasion, when I want to remember, return, or be thankful.
I thought of walking round and round a space
Utterly empty, utterly a source
Where the decked chestnut tree had lost its place
In our front hedge above the wallflowers.
The white chips jumped and jumped and skited high.
I heard the hatchet’s differentiated
Accurate cut, the crack, the sigh
And collapse of what luxuriated
Through the shocked tips and wreckage of it all.
Deep-planted and long gone, my coeval
Chestnut from a jam jar in a hole,
Its heft and hush become a bright nowhere,
A soul ramifying and forever
Silent, beyond silence listened for.
—–
The Japanese Garden, Portland, 2017.
Rock swirls and moss green
Surrounds chatter and cell phones –
Someone’s missed the point.
_____
When I think of L.A. I think of things that are no longer there.
John Fante’s Bunker Hill boarding house,
The crumpled slips between the wooden seats at Santa Anita racetrack,
Where Bukowski cursed his way through another weekday afternoon.
The marble fireplace where Scott Fitzgerald stood,
In the rented Hollywood home where he tried to recharge his life – and where he lost it.
That strange bright emptiness – a great unease – that Joan Didion lived in and wrote about.
The last is still there, high above Eagle Rock Boulevard, where I walk, remembering.
All of these people wrote, and lived and drank and fought, against it. And for what?
The dust, the heat, the dry air, the lure and the promise and the tiredness, are too great to overcome.
Not that we should stop trying.
—–