Monthly Archives: June 2018

All you need is…Paul McCartney in a car

A short post is in order this week. But it’s a good one.

Like most people, I’ve long since tired of the 24-hour news cycle, the depressing tumble of event-reaction-counter-reaction-analysis-argument that surrounds most major news events. (And this from an ex-journalist, too – I should probably just look at less online news.)

There are times, then, when I simply want to go online and see something that lifts me up, that brightens the world for a moment. For a brief 23 minutes this week, I’ve found it.

You’ve likely heard of “Carpool Karaoke“, a series in which late night host James Corden rides around with celebs, singing, quipping and gurning (he’s something of an acquired taste, and I’m not 100 per cent sold).

I’ve enjoyed some segments I’ve seen, but his piece with Paul McCartney, released yesterday, is one of the most heartwarming clips I’ve seen in a long time. It’s simple – McCartney and Corden driving around the former’s old Liverpool haunts, meeting old dears, shaking hands and kissing babies (McCartney mainly), culminating with a great reveal.

Death, ageing, the past – they’re all covered. But, because this is Paul McCartney, it’s all very “get on with it, always look on the bright side”. I could write more – not least about the bit that had me tearing up – but I figure you best watch it for yourself.

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Why Bourdain loved my favorite restaurant

Anthony Bourdain. Pic: Neeta Linda

Anthony Bourdain. Pic: Neeta Linda

I didn’t go to Anthony Bourdain for his food or drink stuff.

Discovering a hidden basement bar in London, watching the work of master sushi chef or seeing Barack Obama eat Vietnamese food was a bonus. But what I liked most about Bourdain was his common sense – his basic ‘do unto others as you would have them do unto you’ belief.

This attitude elevated the everyday people he met and worked with, while also pricking the pomposity of the various toadies, politicians and scenesters he’d occasionally come across.

To that end, of all his writing and television work, his CNN “Parts Unknown” programs appealed to me most, probably because they afforded him the most leeway to propound Bourdainism – that uncommon philosophical mix of Bruce Springsteen and Thomas Keller.

One of my favorite clips from “Parts Unknown”, and one which has returned to my mind repeatedly in recent days, was his 2016 visit to my favorite restaurant, St. John in London.

Bourdain got St. John. He understand its simplicity and practicality – and the culinary knowledge that underpinned the no-bullshit approach. (Its chef, Fergus Henderson, pioneered the now-everywhere concept of nose-to-tail eating 20 years ago, and he hasn’t strayed far from that since then.)

To put it another way, the place is a beacon of common sense. That’s why Bourdain returned to it again and again, in print and on-screen, over the past two decades. That’s why my wife and I do the same; every time we are in London we make it to the small narrow premises – a former smokehouse – near the former Smithfield market in Clerkenwell.

And – this might sound histrionic (if it does, you haven’t eaten there) – it’s why we’ve more than once echoed Bourdain’s words in this clip:

“St. John, I love you and I need you now more than ever.”

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Running up that (30-degree incline) hill

Washington Park, June 2018

Washington Park, June 2018

I’ve been running regularly for years but I can’t say I’ve enjoyed every day.

The more I think of it – I doubt I enjoy half, or even a quarter, of my outings. Usually there’s something in the way – in the evening I’m tired after the workday, in the morning I’m hungry because I’ve yet to eat. At the weekend I’ve other plans or chores to contend with.

Last weekend I found myself lacing my shoes in Seattle, on a Sunday morning at the end of a weeklong vacation (which involved some late nights and a lot of good food). On screen the night before, a short run around Washington Park looked fine. In reality, it looked hilly.

At 7 a.m. the following morning, if I’m being honest, my heart was sinking. A run in another city, on terrain and in an area I wasn’t familiar with, without feeling too good to begin with – all signs pointed to ‘meh’.

Then I started, straight into a 30-degree incline outside the door of our accommodation. Once I made the top of the hill, instead of my all-too-usual irritable, morning running mood, I felt a strange lightness. And so I continued, around the outskirts of the park, stopping occasionally to check signposts for directions.

After 5 minutes, running alone on a Seattle Sunday morning, skirting a beautiful green space, all my irritation had evaporated, replaced instead by – to quote the “Parklife” lyric – “a sense of enormous well-being”.

Twenty-five minutes later, by the time I descended the hill back to my lodgings, having run through the silent, people-less park, my mind was reset. The lethargy was gone. Even my usual aches and pains – born of years of jogging – seemed to have disappeared.

Yes, of course there’s a moral to this story. Of course it’s always better to get out than stay in – even when every urge is keeping you in your bed, or with your book and coffee, or playing with your puppy. But simple as it is, it’s a lesson I somehow regularly forget. And sometimes it takes a steep hill in an unfamiliar city on a tired morning to remind me.

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One last shot love song

John Prine

John Prine

Every time I tire of the more-faster-newer-now (which is often) I turn to someone like John Prine.

The 71-year-old songwriter has been releasing records for almost half a century and, with 50 years experience, his voice is a sane, even and empathetic one – tinged with just the right mix of reason and sentimentality.

The characters in his songs are not unlike the grace-seekers of Raymond Carver‘s fiction: ordinary people, likely losing more than winning, but more often than not trying. Their hearts are “like washing machines”, their luck’s never boundless, their sons die and their husbands leave and return, they have habits that sometimes they kick and sometimes they can’t.

I wrote about Prine very recently, and this post is an addendum of sorts – an acknowledgement of how one of his new songs stopped me in my tracks this week.

“Summer’s End” is – in the truest country music fashion – a lover’s plea for reconciliation. But not just any lover or any plea – this is an entreaty from a person in their senior years, with a voice of gravelled experience, someone who knows this call might be – in every way – their last shot.

And, weathered, sad and loving – it’s also a beautiful listen.

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